• Jr NTR’s new film with director Prashanth Neel has been officially titled Dragon, revealed on the actor’s 43rd birthday
• The 4-minute-28-second glimpse introduces NTR as Luger, the assassin-in-chief of the Afghan Trading Company in a global opium war
• Anil Kapoor plays Raghuveer Rathod, Chief of the Narcotics Bureau — the film’s big cop reveal at the end of the teaser
• The film arrives in cinemas on June 11, 2027, in five languages: Hindi, Tamil, Telugu, Kannada, and Malayalam
• Prashanth Neel directs, continuing his run of large-scale action epics after KGF and Salaar

Jr NTR turned 43 on May 20, and the birthday gift he gave his fans was something else entirely. The makers of his long-awaited collaboration with director Prashanth Neel officially revealed the film’s title — Dragon — and dropped a four-minute-and-28-second glimpse that has the internet completely unraveling.

The teaser is dense, cinematic, and unmistakably Prashanth Neel. It opens with a voice-over laying out a history lesson: the British didn’t stay in India for 250 years because of cotton, steel, or spices. They stayed for the opium poppy — the plant behind heroin — and the control it gave them over the two biggest production regions in the world: Afghanistan and the Golden Triangle, spanning Thailand, Laos, and Burma. When the British left, they left the business behind. And that’s when the war started.

What follows is a rapid-fire introduction to the players in that war — the Afghan Trading Company on one side, the Golden Triangle on the other — and the criminals, enforcers, and operators caught in between. The ensemble is enormous: Biju Menon as Jaleel Rahman, the Afghanistan Logistics Head; Khushbu Sundar, Guru Somasundaram, Rajeev Kanakala, Ashutosh Rana, Sidhant Gupta, Rukmini Vasanth, Anshuman Pushkar, and others all cycle through, each getting a moment to register.

NTR’s Character Is Called Dragon — and the Introduction Is Everything

Then comes Jr NTR. He plays Luger, the assassin-in-chief of the Afghan Trading Company. His character’s name is Dragon. The look is menacing, the energy is cold and coiled, and one shot — NTR standing atop a mountain surrounded by piles of dead bodies — has already become the image fans are sharing everywhere.

His character gets a line in the glimpse that tells you everything you need to know about who Dragon is: “When I shut my eyes to sleep, I don’t see the faces of the people I have killed. I only see the faces of the enemies remaining. Don’t even by mistake appear in my dreams!”

That’s not a man. That’s a force.

The teaser builds toward its final reveal — Anil Kapoor, in a powerful cop avatar, playing Raghuveer Rathod, Chief of the Narcotics Bureau. It’s a smart structural choice. You spend four minutes in the belly of the beast, and then the law shows up at the end like a reckoning.

Jr NTR himself shared the glimpse on X with a caption that matched the energy: “And then… The DEVIL WAS BORN. #DragonGlimpse #Dragon.”

The Fans Are Already in Their Feelings

Reactions flooded YouTube and social media within minutes of the drop. “Nobody comes close to Prashanth Neel when it is about world building,” one fan wrote. Another called it simply: “BLOCKBUSTER story!!!” Not everyone was entirely sold — one commenter flagged what they felt looked like AI-generated visuals in the opening scenes and pointed out visible drone shadows in NTR’s intro shot. And at least one fan was already theorizing about a potential connection to Neel’s previous universe: “What if Dragon and Salaar will have a link — it will going to cook the dhurandhar.”

That last one might be wishful thinking, but it’s the kind of speculation that only happens when a filmmaker has built enough of a track record to make fans believe anything is possible.

Mythri Movie Makers shared the glimpse on their official channels with the caption: “A world forged with rage. A man built for destruction. And an atmosphere ready to erupt like never before.” It’s hard to argue with the framing.

The film is jointly produced by Nandamuri Kalyan Ram, Naveen Yerneni, Y. Ravi Shankar, and Kosaraju Harikrishna under Mythri Movie Makers and NTR Arts. The score is by Ravi Basrur, who also did the music for KGF — another reason the sonic texture of this glimpse feels so familiar and so massive at the same time.

Originally scheduled for a June 25, 2026 release, Dragon was pushed back and is now set for June 11, 2027. The extra time, based on what this glimpse suggests, looks like it’s being used well. NTR had joined the sets back in April of last year, and just days before the birthday reveal, he posted a gym photo on Instagram showing off a seriously transformed physique — captioned simply: “Built. Not bought.”

That caption, in retrospect, applies to the whole film.

The post Jr NTR’s ‘Dragon’ Glimpse Is Here and It’s Intense appeared first on Cream.

• Salman Khan was filmed confronting paparazzi outside Hinduja Hospital in Mumbai’s Mahim area on Tuesday night
• Photographers reportedly shouted about his upcoming film Maatrubhumi outside the hospital, visibly angering the actor
• Salman followed up with a series of fiery social media posts warning photographers against covering him during sensitive moments
• It has not been confirmed who Salman was visiting at the hospital
• The incident reignited a national conversation about celebrity privacy and media ethics in India

Salman Khan has had enough. The Bollywood superstar confronted paparazzi outside Hinduja Hospital in Mumbai’s Mahim area on Tuesday night — and then made sure the world knew exactly how he felt about it, firing off a series of emotional, unfiltered posts in the early hours of Wednesday morning that quickly took over Indian social media.

The trouble started when Salman stepped out of the hospital and was immediately swarmed by photographers jostling for shots. That alone might have been manageable — but what apparently pushed him over the edge was the crowd of paparazzi shouting “Maatrubhumi,” the name of his highly anticipated upcoming film, likely hoping for a soundbite or update on its release. Outside a hospital. At night.

Salman stopped, turned, and told the photographers plainly to behave themselves. “Pagal ho kya?” he reportedly said before walking to his car. The photographers apologized and stopped filming. But Salman wasn’t done.

The Posts That Stopped Everyone Scrolling

A few hours later, he went on Instagram and let it all out. “If I see any press at a hospital enjoying my pain,” he wrote in one post. “The press that I have stood for interacted with taken care made sure that they also earn their bread n butter. But if they wanna make money from my losses…. keep quiet don’t enjoy. bhai bhai bhai matrabhumi picture ki maaa ki aankh, pic imp hai ya life.”

He didn’t stop there. “Aise main sau jala doonga,” he continued, warning photographers not to try covering him at a hospital again. “Bhai k ek bhai k dukh par agli baar try kar lena mere sath. Buss try kar lena…. Jab bhi tumhara koi hospital mai hoga kya mai aisa react karoonga?”

And in his final post, the one that became the most-shared line of the night: “Saath saal ka ho gaya hoon lekin ladna nahiiin bhoola yeh yaad rakh lena, jail mein dalo ge haaa haaa.”

Sixty years old and still not afraid of a fight. The posts flooded with fan support almost immediately, with comments pouring in from followers and celebrities alike backing the actor’s position.

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A Bigger Conversation About Boundaries

The incident touched a nerve well beyond Salman’s fanbase. Across X, Instagram, and entertainment forums, people debated where the line should be — and whether Indian celebrity media culture has long since crossed it. Many agreed that hospitals, regardless of who’s walking out, should be off-limits for the kind of mob-style coverage that’s become routine in Bollywood circles. Others pointed out, fairly, that the demand for this content comes from the same public now criticizing the photographers.

What made this moment feel different was the context. Salman has historically been one of the more paparazzi-friendly stars in the industry — known for stopping, posing, engaging, and by his own account, actively supporting the livelihoods of photographers who cover him. His frustration here wasn’t about the cameras in general. It was about the setting, the timing, and what felt like a complete disregard for whatever was actually happening inside that hospital.

Who exactly Salman was visiting hasn’t been confirmed. That detail, in a way, makes the whole thing land harder.

The actor has had a busy few weeks in the public eye. Earlier, he’d addressed fan concern after some remarks about loneliness circulated online, clarifying on X that he wasn’t speaking from personal pain. “How can I be alone when I have such a large amazing family n friends,” he wrote, adding with characteristic humor that his mother had started calling after fans turned a casual musing into breaking news. “Chill maro yaar,” he said.

That’s the thing about Salman Khan — he’s candid in a way few stars his size still are. And when he says he hasn’t forgotten how to fight, his 60 years of navigating this industry make it pretty clear he means it.

The post Salman Khan Confronts Paparazzi Outside Mumbai Hospital appeared first on Cream.

• Mouni Roy and Suraj Nambiar confirmed their separation on May 14, 2026 via a joint Instagram post
• Speculation began when fans noticed the couple had mutually unfollowed each other on social media
• Suraj deactivated his Instagram account as rumours intensified; Disha Patani also reportedly unfollowed him
• The couple married in Goa in January 2022 in ceremonies honouring both Malayali and Bengali traditions
• Both have asked media to stop spreading false narratives and respect their privacy during this time

Mouni Roy and Suraj Nambiar have confirmed what their social media activity had been quietly signalling for days — they’re going their separate ways. On the evening of May 14, 2026, the actress and her Dubai-based businessman husband released a joint statement on Instagram, officially acknowledging their split four years after their intimate Goa wedding.

“After thoughtful reflection on evolving personal priorities, we have mutually chosen to move forward on separate paths with respect and understanding,” the couple wrote in the post, shared on Mouni’s account. The statement was direct and measured, but it was also clearly written by two people exhausted by a week of relentless speculation.

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The confirmation came after several days of mounting rumour. It was fans who first noticed something was off — both Mouni and Suraj had quietly unfollowed each other across their social media handles. That small digital detail ignited a firestorm. Reports quickly followed claiming the couple had already separated and were no longer living together. Then came another telling sign: Suraj went in and deactivated his Instagram account entirely. Searching for his page returned only a “Sorry, this page isn’t available” message.

Making it feel even more final, Mouni’s close friend and actress Disha Patani reportedly unfollowed Suraj before his account went dark — a small but noticed move from someone who had been a fixture in both their lives. The three had frequently appeared together at parties, holidays, and social gatherings over the years.

Fans who found their way to Suraj’s comment section before it disappeared left messages ranging from heartbroken pleas to pointed questions. “Please humein ye maat sunana ki aaplog ka divorce ho gaya hai,” one user wrote — essentially begging the couple to work things out. Others asked directly why wedding photos had apparently been removed or archived.

A Week of Silence, Then a Statement

Before the joint confirmation landed, Mouni had already broken her silence once. On Wednesday, May 13, she posted a simple but pointed message to her Instagram: “Humbly requesting all the media houses to not publish false narratives and give us space and privacy. Please.” The folded hands emoji at the end carried the weight of someone who had been watching misinformation spiral and had simply had enough.

That same morning, she also posted a warm birthday tribute to her close friend Roopali Kadyan — calling her “my sister” and writing, “My sister come ruin or rapture.” No mention of Suraj anywhere in the post. It was the kind of quiet signal that fans and media alike read into heavily.

Hours later, she was photographed stepping out for dinner with friends in Mumbai, dressed in a strapless black fitted dress with minimal accessories. She looked composed, if clearly aware of the cameras — at one point holding her phone up to partially shield her face from the paparazzi clustered outside the restaurant before heading to her car without stopping to speak.

What They Said — and What They Asked For

The joint statement published Thursday evening was thorough and carefully worded. The couple addressed the media coverage head-on, writing that “attempts have been made to sensationalize our private lives by circulation of fictitious narratives and blatant falsehoods, which do not reflect the reality of our relationship.”

They were clear that the decision was mutual and amicable. “At this point, we are focused on navigating this phase thoughtfully and privately,” they wrote. “We will endeavour to cherish our friendship in times to come.”

The post closed with a direct appeal: “Humbly requesting everyone to give us privacy and dignity and not give out any false stories about me or Suraj. Expecting all of you to give us privacy in these hard times. Humble request to all the media houses to please stop. Love, Suraj & Mouni.”

They had turned off comments on the post.

Four Years After a Wedding That Felt Like a Fairy Tale

Mouni and Suraj had met through mutual friends and kept their relationship largely private before their wedding on January 27, 2022, in Goa. The ceremony honoured both their cultural backgrounds — Suraj’s Malayali heritage and Mouni’s Bengali roots — and the photos, when they finally appeared online, made the internet swoon. They became one of those couples people genuinely rooted for.

Off screen, Mouni had built a significant life alongside her acting career. She co-launched the Mumbai restaurant Badmaash in 2023 and was reportedly involved with Suraj in a global education platform called Ultimate Gurus. With an estimated net worth of around Rs 40-41 crore, she’s one of the more financially established names in the industry — known for television landmarks like Naagin and Devon Ke Dev…Mahadev before crossing over to Bollywood with Gold and then Brahmastra: Part One – Shiva.

Professionally, she has plenty ahead. She’s set to appear in Madhur Bhandarkar’s The Wives alongside Sonali Kulkarni and Regina Cassandra, and in David Dhawan’s romantic entertainer Hai Jawaani Toh Ishq Hona Hai, which stars Varun Dhawan, Pooja Hegde, and Sreeleela among others.

For now, though, both Mouni and Suraj have asked for exactly one thing: to be left alone to move through this quietly. “We sincerely appreciate your understanding, respect for our privacy, and the continued support extended to us during this time,” they wrote — and that, it seems, is all they have left to say.

The post Mouni Roy and Suraj Nambiar Confirm Split After 4 Years appeared first on Cream.

• Sonam Kapoor and Anand Ahuja celebrated their 8th wedding anniversary and 10 years together on May 8.
• Sonam shared a video montage and heartfelt caption featuring unseen family photos across their decade together.
• The couple have two sons — Vayu, born in 2022, and their second baby boy, born in early 2026.
• Anand’s mother Priya Ahuja also shared a rare candid photo of the couple putting both babies to sleep together.

Eight years of marriage, ten years of love, and Sonam Kapoor is feeling every bit of it. The Bollywood actress marked her wedding anniversary with husband Anand Ahuja on May 8 with one of her most personal social media moments yet — a video montage and a deeply felt caption that traced their entire journey together, from early dating days to building a family across three cities and three homes.

“Eight years married. Three cities. Three homes. Two beautiful boys. Countless dreams built from scratch,” Sonam wrote on Instagram. “So many risks taken, lessons learnt, businesses created, failures survived, victories celebrated and moments where we held each other a little tighter through the uncertainty of it all.”

https://www.instagram.com/p/sonamkapoor

The video itself covered the full arc of their relationship — stolen moments from their dating years, their lavish 2018 Mumbai wedding (which, for the record, featured Shah Rukh Khan and Salman Khan dancing at the Sangeet, making it one of Bollywood’s most talked-about celebrations), and the quieter, more intimate chapters that followed.

What made the post land so differently from a typical anniversary tribute was how specific and honest Sonam got. This wasn’t a highlight reel of red carpets and vacations. It was a real accounting of a decade — the risks, the failures, the uncertainty held together. “And somehow, through every version of life we’ve lived together, one thing has only become more certain,” she wrote, “my love, respect and compassion for you have only grown deeper.”

She described Anand as “the calm in my chaos” — the first person she wants to speak to in the morning and the last one beside her at night. “The person who makes me feel safest, strongest and most myself.”

The note closed with something that felt less like a social media caption and more like a private letter made public: “Ten years later, I love you more gently, more intentionally and more completely than I knew was possible when we first began. Thank you for building this life with me. For the laughter, the friendship, the resilience, the family and the kind of love that evolves instead of fades. There’s nobody else I’d rather do this life with. Happy anniversary my love. #everydayphenomenal.”

A Family Moment That Stole the Show

While Sonam’s post was already making rounds, it was a photo shared by her mother-in-law Priya Ahuja that quietly became the most talked-about image of the day. In an unguarded, completely candid shot, Sonam is seen holding her newborn in her arms while Anand lies beside their older son Vayu — both parents doing what new parents do at all hours: trying to get their kids to sleep.

It’s the kind of image no PR team stages. And that’s exactly why it resonated.

Priya Ahuja shared it alongside a warm anniversary message of her own. “Two beautiful souls, one forever kind of love. Still in love, still shining together as it should be!!” she wrote. “You both have turned love into a lifetime promise so gracefully and so beautifully. It fills our hearts with pride and immense happiness to see your beautiful journey of love, laughter and togetherness.”

Sonam and Anand welcomed their first son, Vayu, in 2022. After announcing her second pregnancy in November 2025, Sonam gave birth to their second baby boy in early 2026. The couple has kept both children largely out of the public eye, which makes moments like these — glimpses into the ordinary magic of their family life — feel all the more meaningful to fans who’ve followed their story from the beginning.

On the career front, Sonam was last seen in the 2023 crime thriller Blind, directed by Shome Makhija — a remake of the 2011 Korean film of the same name, in which she played a blind police officer hunting a serial killer. For now, though, it’s the life she’s building off-screen that has everyone’s attention.

“The kind of love that evolves instead of fades.” Ten years in, that’s exactly what it looks like.

The post Sonam Kapoor Marks 8 Years of Marriage to Anand Ahuja appeared first on Cream.

• The trailer for Aakhri Sawal, starring Sanjay Dutt, dropped on Friday and is already generating major buzz online
• The film tackles some of India’s most controversial historical events, including the Gandhi assassination and the Babri Masjid demolition
• Sanjay Dutt plays Professor Gopal Nadkarni, a mentor accused of institutional bias by his own student over a rejected RSS thesis
• Aakhri Sawal will be the first Hindi film to release with integrated Indian Sign Language support for deaf audiences
• The film hits cinemas worldwide on May 15, 2026, in Hindi, Telugu, Kannada, and Malayalam

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Sanjay Dutt is back with something that’s going to get people talking — and not just in movie theaters. The trailer for Aakhri Sawal landed on Friday, and within hours it had the internet firmly split between excitement, curiosity, and genuine debate. This isn’t your average Bollywood political thriller. It’s going somewhere few mainstream Hindi films have dared to go.

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Directed by National Award-winning filmmaker Abhijeet Mohan Warang, the film centers on Vicky Hegde (Namashi Chakraborty), a sharp but rebellious scholar whose thesis on the RSS gets rejected — leading him to publicly accuse his mentor, Professor Gopal Nadkarni, of institutional bias. What starts as an academic dispute spirals fast: national media coverage, political firestorms, and a psychological battle between student and professor that escalates all the way to a televised confrontation.

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Dutt shared the trailer on his Instagram with the caption: “What happens when the truth refuses to stay buried? Watch the trailer of #AakhriSawal — where every answer comes at a cost. Trailer Out Now. Get ready to know the answer on 15th May only in cinemas.”

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The nearly three-minute trailer doesn’t shy away from the heaviest chapters in Indian history. References to the RSS’s alleged involvement in Mahatma Gandhi’s assassination, the Babri Masjid demolition, and the Emergency are woven directly into the narrative — not as background color, but as the beating heart of the debate the film is building toward. It’s the kind of material that makes audiences sit up straight.

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Dutt is commanding as Professor Nadkarni — restrained, precise, delivering hard-hitting dialogue with the kind of gravity that reminds you why he still owns a room. Chakraborty holds his own opposite him, projecting the intensity of someone who genuinely believes he’s pulling back a curtain on something. Amit Sadh also makes a strong impression as Aditya Rao, and the broader ensemble — Sameera Reddy, Tridha Choudhary, Neetu Chandra, Mrinal Kulkarni, Harsimran Oberoi, and Rockey Raina — fills out a world that feels lived-in and charged.

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One casting note that’s raised eyebrows: producer Nikhil Nanda also appears in the film, playing M.S. Golwalkar. The film is produced by Nanda and Dutt together, presented by Nikhil Nanda Motion Pictures, and distributed nationwide by PVR INOX Pictures.

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Fan Reactions Are Already All Over the Map

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The comment sections lit up the moment the trailer dropped. Dutt’s fans were enthusiastic — “One word…. Unbelievable.. waiting for this….goosebumps,” wrote one viewer. Another offered the perfectly Indian compliment: “Sawaal nahi Bawal hai bawal.” Others were more cautious. “Mujhe to lagta hai iss movie par bahut controversy hogi,” predicted one commenter — and honestly, they’re probably right. Someone else noted, “Just wow trailer. Sanjay dutt acting skill is increasing day by day,” which tracks with what the footage actually shows.

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A few viewers were already reading the ending: “Lgta hai end mein RSS ko hero bna dege, agar nahi to fir yeh movie release nhi hogi” — a comment that says as much about the current climate around politically charged cinema as it does about the film itself.

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A Historic First for Accessibility in Hindi Cinema

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Beyond the politics, Aakhri Sawal is making history in a quieter but meaningful way. It will be the first Hindi film to release with integrated Indian Sign Language (ISL) support built directly into the theatrical experience for deaf audiences. The team is also working on additional accessibility measures for visually challenged viewers. For a film that positions itself as being about truth reaching everyone, that commitment carries real weight.

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Worth noting: the film was originally scheduled to open on May 8 before being pushed to May 15. It releases in Hindi, Telugu, Kannada, and Malayalam — a wide, multi-language rollout that signals the makers are betting big on this one landing across India.

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Whether Aakhri Sawal becomes a conversation-starter or a lightning rod — or both — the trailer has already done its job. The question it keeps asking is simple: what happens when the truth refuses to stay buried? Come May 15, audiences will find out what answer Dutt and Warang have been sitting on.

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“category”: “Movies

The post Sanjay Dutt’s Aakhri Sawal Trailer Is Bold, Political, and Already Dividing the Internet appeared first on Cream.

• Raja Shivaji grossed INR43.66 crore ($4.6 million) in its first three days, a Marathi cinema first.
• Riteish Deshmukh directs and stars in the film, with his wife Genelia Deshmukh co-producing.
• The film’s opening weekend more than triples the previous Marathi record held by Sairat (2016).
• The star-studded cast includes Sanjay Dutt, Abhishek Bachchan, Vidya Balan, and Boman Irani.
• Raja Shivaji released worldwide on May 1 in both Marathi and Hindi.

Riteish Deshmukh has just made history. His directorial debut Raja Shivaji — a sweeping historical epic from Jio Studios and Mumbai Film Company — pulled in INR43.66 crore ($4.6 million) across its opening weekend in India, making it the biggest opening weekend ever for a Marathi-language film. By a distance.

To put that in perspective: Sairat (2016), still the highest-grossing Marathi film of all time with a $13.7 million total run, opened to just $1.3 million. Timepass 2 (2015) and Mauli (2018) each debuted to around $1.2 million. Raja Shivaji didn’t just clear those benchmarks — it more than tripled them in three days.

Maharashtra led the surge, with packed cinemas and strong footfalls across the state. The film’s Hindi-language version also found real traction beyond the home market, a sign that the story of Chhatrapati Shivaji Maharaj is resonating well beyond its regional base.

The Story Behind the Epic

Raja Shivaji chronicles the rise of young Shivaji Bhonsale — the warrior-king who challenged the might of established empires, founded the Maratha kingdom, and laid the groundwork for “Swarajya,” the concept of self-rule, during one of the most turbulent periods in Indian history. Rather than retreading familiar ground, the film deliberately draws from lesser-known stories surrounding his life, zeroing in on his strategic mind and battlefield valor as much as his eventual legend.

Deshmukh both directs and takes the titular role — a bold creative bet that appears to have paid off. The ensemble he assembled around him is genuinely stacked: Sanjay Dutt, Abhishek Bachchan, Vidya Balan, Boman Irani, Bhagyashree, Fardeen Khan, Mahesh Manjrekar, Sachin Khedekar, Jitendra Joshi, and Amol Gupte. His wife, Genelia Deshmukh, appears in the cast and also serves as producer alongside Jyoti Deshpande.

Behind the camera, the film carries serious pedigree. Cinematography is by Santosh Sivan — the legendary DP behind films like Dil Se and Asoka — and the score comes from Ajay-Atul, the composing duo whose work on Sairat became a cultural phenomenon in its own right.

Where It Stands in the Record Books

After just one weekend, Raja Shivaji already sits at No. 7 on the all-time list of Marathi-language grossers, slotting in behind Sairat, Baipan Bhari Deva, Ved, Pawankhind, Natsamrat, and Lai Bhaari. With that kind of momentum — and a May 1 release date that gave it a holiday weekend boost — the question now is how high it can climb.

For Deshmukh, long known to Hindi film audiences as a comedic leading man, this is a different kind of statement. Raja Shivaji is a declaration that Marathi cinema can command the kind of opening weekends typically reserved for Bollywood tentpoles — and that the stories of Maharashtra deserve that scale.

The post Raja Shivaji Breaks Marathi Box Office Records appeared first on Cream.