• ABC has ordered The Rookie: North to series for the 2026-27 season, with a midseason premiere expected.
• Jay Ellis stars as Alex Holland, a man who joins the Pierce County Police Department after a violent home invasion upends his life.
• Nathan Fillion appears in the pilot as John Nolan and executive produces alongside creator Alexi Hawley.
• The order is for 10 episodes, with crossovers between North and the mothership series already in the works.
• This is The Rookie’s second spinoff attempt, following the one-season run of The Rookie: Feds in 2022-23.

The Rookie is back in the franchise business. ABC has officially ordered The Rookie: North to series, handing Jay Ellis his next leading role and giving Nathan Fillion’s long-running cop drama a second shot at building a universe. The pickup, for 10 episodes, was confirmed just hours before Disney’s upfronts presentation on Tuesday, May 12 — and the deal between ABC and indie studio Lionsgate Television reportedly didn’t even close until Sunday night. Classic upfronts drama.

The new series is set in Washington state and follows Alex Holland (Ellis), a man who, as the logline puts it, “believed his midlife wasn’t worthy of a crisis.” Then a violent home invasion changes everything, pushing him to join the Pierce County Police Department as its oldest rookie. Policing a terrain that stretches from the urban coast to the rural forest — where backup isn’t just five minutes away — Alex has to prove himself to his skeptical training officer, his fellow rookies, and maybe most of all, himself.

It’s a premise that echoes the original show’s DNA while pushing into new territory, both geographically and emotionally. Where The Rookie is rooted in Los Angeles, North films in Vancouver and leans into the Pacific Northwest’s isolation as part of its identity.

Nathan Fillion Is Already Showing Up

Fillion isn’t just lending his name to this one. He appears in the North pilot as his Rookie character John Nolan — a move that immediately signals how connected the two shows are meant to feel. He also executive produces both series, cementing his role as the franchise’s anchor.

Creator Alexi Hawley, who wrote and directed the pilot, will serve as showrunner on both The Rookie (heading into its ninth season) and North simultaneously. He’s done this kind of juggling act before — there was a stretch where he was running The Rookie, The Rookie: Feds, and his Netflix series The Recruit at the same time. “I have a really good team,” he told Deadline.

As for crossovers, Hawley is already thinking about it — carefully. “Maybe a couple episodes, or two or three episodes a season” is what he’s envisioning for stories that bridge the two shows. But he’s realistic about the logistics. “It’s harder obviously, with the Vancouver or the Pacific Northwest of it all and LA,” he said. “Feds was designed on purpose with a lot of crossovers.” The mothership series is set to premiere in January, which puts both shows running concurrently in midseason — exactly the window you’d want for those kinds of storylines to land.

A Deep Ensemble Behind Ellis

Ellis leads a cast that includes Chris Sullivan, Karen Fukuhara, Froy Gutierrez, Janet Montgomery, Mya Lowe, and Malik Watson. Hawley executive produces alongside Fillion, Mark Gordon, Bill Norcross, and Michelle Chapman. Ellis himself is on board as a producer. Lionsgate Television and 20th Television are co-producing.

The pilot order came back in November, after the project had been in development for over a year. That it made it to series is a win — the other pilot ABC ordered this cycle, a comedy called Do You Want Kids?, didn’t make the cut.

Learning From The Rookie: Feds

This isn’t ABC’s first rodeo with a Rookie spinoff. The Rookie: Feds, starring Niecy Nash-Betts, launched in 2022 and was canceled after a single season in 2023. That show also leaned heavily on crossovers with the original — but it never quite built its own footing. North is clearly being positioned differently, with a distinct setting, a grittier tonal premise, and a lead in Ellis who brings a different kind of energy than Fillion’s everyman warmth.

Crossovers, when they work, are genuinely good TV business. ABC knows this — 9-1-1 and 9-1-1: Nashville pulled one off this season, and Grey’s Anatomy and Station 19 built years of shared storytelling before Station 19 ended. The blueprint exists. Now it’s on Hawley and Ellis to make North worth the trip.

“Alex must prove to his skeptical training officer, his fellow rookies and himself, that he’s finally found something worthy of the fight.” If the show can deliver on that promise, the franchise might finally have its second act.

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