• Alia Bhatt made her second Cannes appearance in a sculpted peach-coral corseted gown by designer Tamara Ralph
• Her jewellery included a rare Golconda Rose piece by Amrapali featuring 168.27 carats of pink coral and a 5.53-carat Golconda diamond
• She is attending Cannes 2026 as a global ambassador for L’Oréal Paris
• Fans flooded social media calling the look one of the standout Indian celebrity fashion moments of the festival
• Alia debuted at Cannes last year in a custom Schiaparelli gown that also earned widespread acclaim

Alia Bhatt walked the Cannes red carpet on Tuesday and the internet hasn’t stopped talking about it since. Dressed in a dreamy peach-coral couture creation by celebrated designer Tamara Ralph, the Bollywood star delivered one of the most buzzed-about fashion moments of the 2026 Cannes Film Festival — and it was only day two.

The gown itself was a masterclass in restraint and drama at the same time. A sculpted corseted silhouette with a plunging neckline gave the look its structure, while a sweeping train and soft chiffon scarf flowing behind her added the kind of effortless movement that photographs beautifully on the French Riviera. Fashion fans online were quick to describe it as “ethereal” — a fairytale moment with an old-Hollywood backbone. Several compared her to a Disney princess, which, honestly, isn’t wrong.

https://www.instagram.com/aliaabhatt/

But the jewellery is where things got truly extraordinary. Alia wore the Golconda Rose by Amrapali — a handcrafted white gold piece featuring 168.27 carats of rare pink coral, a 5.53-carat Golconda Type 2A diamond, and nearly 20 carats of finely set diamonds. It’s the kind of piece that makes you stop scrolling. She paired it with earrings and rings from Chopard, letting the two houses complement each other without competing. The overall effect was regal without being heavy — Indian craftsmanship presented on one of the world’s biggest global stages.

A Growing Presence on the World’s Biggest Red Carpet

This is Alia’s second time at Cannes. Last year she made her debut in a custom Schiaparelli gown that earned its own wave of praise, so the bar was already set high. This year, attending as a global ambassador for L’Oréal Paris alongside a constellation of international stars, she’s not just showing up — she’s showing out.

She was spotted near the iconic Hôtel Martinez, where much of the festival’s celebrity action is centred, and shared glimpses from her opening day on Instagram — including warm moments greeting fans and photographers. That ease in front of a crowd, that particular kind of composure, is what separates a good red carpet appearance from a great one.

Her appearance also landed amid a broader conversation about Indian representation at Cannes this year. Fans noted that longtime festival presence Aishwarya Rai Bachchan was absent from some of L’Oréal’s promotional material, which sparked its own round of social media speculation. Whatever the context, Alia stepped into the spotlight with the full weight of that attention and wore it as comfortably as the Tamara Ralph gown.

What Comes Next for Alia

Off the red carpet, Alia has a packed slate ahead. She’s preparing for two major upcoming projects — Alpha and Love & War — both of which are expected to keep her firmly among the most talked-about stars in Indian cinema. With her international profile growing through fashion campaigns, luxury brand partnerships, and now a second Cannes appearance that went genuinely viral, the trajectory is clear.

The 2026 Cannes Film Festival runs through May 23. Alia’s already made her mark — and the festival still has nearly two weeks to go.

The post Alia Bhatt’s Cannes 2026 Corseted Couture Look Is Everything appeared first on Cream.

• Cannes Film Festival banned nudity and overly voluminous gowns in 2025, but stars have kept pushing the dress code anyway
• Bella Hadid, Kendall Jenner, Julia Fox and Cameron Diaz are among the celebrities behind the most daring looks in festival history
• Kelly Rutherford caused a stir at the 2026 festival with a look that quietly defied the nudity ban
• The 2026 jury includes Demi Moore, who arrived in a custom Jacquemus gown — rule-compliant, but stunning
• From 1988 to today, the Croisette has always been where fashion rules go to be broken

The Cannes Film Festival may have officially banned nudity in 2025, but the red carpet on the Croisette has never really cared about the rules. Decades before that decree, stars were showing up in gowns that left almost nothing to the imagination — and the looks have lived in our heads ever since.

The festival’s updated charter also prohibited voluminous gowns and trains that might “hinder the proper flow of traffic of guests and complicate seating in the theater.” That didn’t stop Heidi Klum from arriving at last year’s opening ceremony in a sweeping Elie Saab couture gown with a train that could fill a ballroom. Others followed her lead. And at the 2026 festival — which kicked off May 12 in the French Riviera and runs through May 23 — Kelly Rutherford arrived in a dress that was, as one outlet put it, “ever-so-subtly a naked dress,” and it caused quite a stir anyway.

The 79th Cannes Film Festival is stacked with star power this year. The jury is led by The Substance star Demi Moore alongside Ruth Negga, Stellan Skarsgård and director Chloé Zhao. Moore herself hit the carpet in a custom Jacquemus gown — a corset top, peplum waist, and fitted skirt, her signature brunette curls completing the look. Scarlett Johansson, Adam Driver and Miles Teller are all set to premiere the crime drama Paper Tigers on May 16, while Sebastian Stan and Renate Reinsve’s Fjord debuts May 19. Peter Jackson received an honorary Palme d’Or at the opening ceremony, presented by none other than Elijah Wood.

But even with all that going on, it’s the fashion — specifically the kind that makes you do a double take — that has always defined Cannes as much as the cinema. In honor of that legacy, here’s a look back at 15 of the most rule-breaking naked dresses ever to hit the famous staircase in front of the Palais des Festivals.

The Looks That Rewrote the Red Carpet

Bella Hadid has made the sheer gown practically her Cannes signature. Her most talked-about look came in 2024, when she stepped out in a nude halter dress straight off the Saint Laurent runway — entirely see-through, crafted from sheer, stretchy pantyhose material. It was the kind of dress that stops a crowd mid-sentence.

Kendall Jenner brought her own version of barely-there to the 2018 premiere of Girls of the Sun, choosing a white Schiaparelli Couture gown in completely sheer silk tulle, cinched at the waist with a bold statement belt. Clean, deliberate, unforgettable.

Julia Fox, never one to play it safe, arrived at the 2023 festival in a see-through top made of glass — yes, glass — paired with a voluminous skirt featuring a bubble layer on top and a long train underneath. Only Fox could make a glass shirt feel inevitable.

Leila Depina took the naked dress concept somewhere almost architectural at the 2023 premiere of Asteroid City. Her draped silver look appeared to be constructed entirely of tiny glittering chains, which left, unsurprisingly, very little to the imagination.

Hari Nef went for something more understated in 2023, courtesy of Fendi Couture: a sheer shawl on top, an ivory maxi skirt below. Simple, elegant, and still completely sheer.

Milla Jovovich‘s 1997 look for the premiere of The Fifth Element deserves a place in the fashion history books. Designed by John Galliano, the strategically beaded dress was so iconic that Miley Cyrus wore an updated version of it to the 2024 Grammys — proof that the best red carpet moments never really expire.

Then there’s La Cicciolina. In 1988, Ilona Staller — the singer and Italian politician — arrived at Cannes and bared her breasts, belly, and thighs, accessorizing the look with a pink stuffed animal. It remains, arguably, the most naked dress in the festival’s entire history. No contest.

Heidi Klum showed up in 2023 in a bright yellow gown with a thigh-high slit, midriff cutouts, and two enormous bat-wing sleeves that would absolutely fall under today’s “overly voluminous” ban. She’s since doubled down on the drama.

Cameron Diaz made headlines at the 2002 premiere of Gangs of New York in a shimmering black gown that was completely sheer — her black underwear fully visible — with a thigh-high slit and an asymmetrical one-shoulder neckline. It was 2002, and it still holds up.

Nadia Lee Cohen went full sheer in 2024 with a black long-sleeve Saint Laurent dress, a pair of underwear, and dark sunglasses. Minimal accessories, maximum impact.

Winnie Harlow wore a Ralph & Russo gown at the 2019 festival that was completely sheer except for green metallic beading at the front and back. The America’s Next Top Model alum looked like she’d stepped out of a dream sequence.

Didi Stone turned heads at the 2022 opening ceremony in a Roberto Cavalli look that paired a lilac silk skirt with a gold grid of roses placed strategically over her torso — gladiator-inspired and genuinely stunning.

Cindy Kimberly made it personal in 2023, wearing a shimmering halter-neck gown from her own brand, Loba. The sheer metallic look featured a completely open back and a short train. “Cannes wearing my own designs is such a dream come true,” she wrote on her Instagram Stories at the time.

At the 2025 festival, Stella Maxwell found a way to work the sheer look within the new rules — a sheer lace gown with strategically placed ruffles offering just enough coverage to technically pass. And Pritika Swarup, the model and beauty brand founder, closed out the 2025 closing ceremonies in a sheer, jewel-encrusted gown with long black opera gloves that gave the whole look an extra shot of drama.

The ban is real. The enforcement, apparently, is another matter entirely. As long as there’s a red carpet on the Croisette, someone is going to show up in something that makes everyone stop scrolling — and honestly, that’s exactly what makes Cannes, Cannes.

The post Cannes’ Boldest Naked Dresses of All Time appeared first on Cream.

• Jennifer Lopez attended the Netflix Is a Joke Festival’s Roast of Kevin Hart on May 10 in Inglewood, California
• She wore a figure-hugging crimson Michael Costello dress with a plunging neckline and thigh-high slit
• Lopez leaned into Y2K nostalgia with aviator sunglasses, chunky gold bangles, and a red mini Chanel bag
• The roast also drew John Stamos, Seth Green, Machine Gun Kelly, Tracee Ellis Ross, and Jay Shetty
• The look came just days after Lopez shared a sweet Mother’s Day moment on Instagram

Jennifer Lopez walked into the Netflix Roast of Kevin Hart on May 10 looking like she’d raided the best version of her own archive — and nobody was complaining. Arriving at the star-studded live event in Inglewood, California, the pop icon served a fiery all-red moment in a body-hugging Michael Costello gown that had all the signatures of a classic J.Lo red carpet knockout.

The crimson halter dress featured a dramatically plunging scoop neckline, gathered ruching along the skirt, and a daring thigh-high center slit. A twisted knot detail at the waist created a sculpted silhouette with just enough texture and movement to keep the monochromatic look from feeling flat. As Lopez worked different angles on the carpet, a subtle high-low hemline came into view — because of course there was one more detail to discover.

The Y2K Accessories That Made the Look

The dress was doing plenty on its own, but Lopez’s accessories took the whole moment somewhere nostalgic and completely intentional. She stepped onto the carpet in reddish bronze-tinted aviator sunglasses with delicate gold rims — the kind of eyewear that had a serious moment in the early 2000s and, in her hands, feels completely current again. On her wrists, she stacked a reflective chunky gold bangle with a chain-link bracelet, both carrying that unmistakable Noughties energy.

For her bag, Lopez carried a mini red quilted leather purse with a circular handle wrapped in gold chain — a luxe finishing touch that some outlets identified as Chanel. Nude pointed-toe stiletto sandals were the one break from the scarlet theme, grounding the look without competing with it.

Her hair was a departure from her usual bombshell curls. Instead, Lopez wore her caramel-streaked brown hair in a sleek blowout with a center part and defined face-framing layers. The beauty look leaned into bronze — rose gold smoky shadow, sculpted cheekbones, a blush glossy lip with brown liner — with rectangular molten gold earrings just visible beneath the waves. The result was sultry, polished, and unmistakably her.

A Star-Studded Night for Kevin Hart

Lopez was among a notably eclectic group of celebrities who showed up to roast Kevin Hart as part of the Netflix Is a Joke Festival. John Stamos, Seth Green, Machine Gun Kelly, Tracee Ellis Ross, and Jay Shetty were all in the building for what was one of the weekend’s marquee live events.

For Lopez, the night was a reminder of why she’s remained one of the most reliably watchable people on any red carpet for nearly three decades. Whether it’s a Versace jungle print or a Michael Costello bodycon, she doesn’t just wear clothes — she makes them feel like a moment worth paying attention to.

The Kevin Hart roast appearance came just days after Lopez gave fans a peek at a much lower-key side of her life. In an Instagram video posted around Mother’s Day, the mom of 18-year-old twins Emme and Max — whom she shares with ex-husband Marc Anthony — held up a homemade chocolate cake decorated with pastel frosting and a section labeled “mom’s slice.” Looking directly into the camera with a wink, she asked her followers, “Should I eat mom’s slice?” before adding, “I feel like I should” — and pretending to take a massive bite.

From chocolate cake at home to a red Michael Costello dress on the Netflix carpet. That’s the full J.Lo experience, and she makes both look effortless.

The post J.Lo’s Red Michael Costello Dress at Kevin Hart Roast appeared first on Cream.