• Olivia Rodrigo, 23, pushed back against online criticism of her babydoll dress looks in a new interview on The New York Times’ Popcast, calling the reaction “really disturbing” and saying it shows “how we really normalize pedophilia in our culture”
• The backlash began after she wore a pink-and-blue minidress in her “Drop Dead” music video and escalated when she wore a Génération78 babydoll dress at Spotify’s Billions Club Live concert in Barcelona on May 8 — critics described the looks as “infantilizing” and accused her of wearing “sexualized children’s clothing”
• Rodrigo pointed out the double standard directly: “I have worn outfits that are revealing on stage. I’ve been on stage in a sparkly bra and little shorts… and that wasn’t inappropriate, but me fully covered up in a dress that people deem to be childlike was inappropriate”
• Per Complex, she connected the criticism to riot grrrl fashion history and broader patterns of how society sexualizes young girls, calling those reactions “freak” reactions
• “Drop Dead” is from her forthcoming third album You Seem Pretty Sad

Olivia Rodrigo has had enough. The “Drivers License” singer spent part of a new New York Times Popcast interview addressing the months-long online debate over her babydoll dresses — and she didn’t hold back.

The controversy started in April when Rodrigo wore a pink-and-blue minidress in the video for “Drop Dead,” a single from her upcoming third album You Seem Pretty Sad. It intensified after she performed at Spotify’s Billions Club Live concert in Barcelona on May 8 in a Génération78 babydoll dress and knee-high black boots — a look that set off a fresh wave of takes, with some describing the outfit as that of a “sexualized child” and others writing things like “A grown woman wearing children’s clothes… she keeps giving me the ick.”

Rodrigo’s response, recorded for an upcoming Popcast episode and previewed widely this week, was pointed. “That’s been making me so upset,” she told Us Magazine. “Not even for me. People can say whatever they want.”

‘Fully Covered Up… Was Inappropriate’

What bothered her, she said, was the logic the critics were applying. “What’s really disturbing is I have worn outfits that are revealing on stage,” Rodrigo continued, per Newsweek. “I’ve been on stage in a sparkly bra and little shorts, which is my right — that’s fun, I felt cool and comfortable in that. And that wasn’t inappropriate, but me fully covered up in a dress that people deemed to be childlike was inappropriate.” She said the pattern was “really disturbing” and added: “It really shows how we really normalize pedophilia in our culture.”

Per Complex, she tied the reaction to riot grrrl fashion — a deliberately transgressive, anti-sexualization aesthetic with deep roots in ’90s punk and feminist music — and to broader double standards in how young women’s bodies get policed and interpreted regardless of what they actually wear. The framing, she suggested, says more about the critics than it does about the dress.

The post Olivia Rodrigo Fires Back at Babydoll Dress Critics: ‘It Really Shows How We Normalize Pedophilia in Our Culture’ appeared first on Cream.

• Charli xcx dropped her new song and music video “SS26” on May 21, directed by the duo Torso
• The video is staged as a Paris runway show and packed with fashion insiders, from Carine Roitfeld to Anthony Vaccarello
• “SS26” was produced by A.G. Cook and Finn Keane, who co-wrote the song with Charli
• The track is the second preview of her upcoming seventh studio album, following “Rock Music”
• Charli was recently named a YSL Beauty ambassador, adding real-world context to the fashion-world casting

Charli xcx has found her version of the Met Gala — and it goes straight to hell. The pop star dropped her new song and music video “SS26” Thursday night (May 21), and if “360” was her downtown It-girl moment, this one belongs entirely to the fashion industry’s inner sanctum.

Directed by Torso — the creative duo of Miodrag Manojlović and Lukas von Haller, working from a concept by Charli herself — the video is staged as a high-fashion runway presentation, complete with front-row legends, backstage chaos, a catwalk stumble worthy of Sex and the City, and, eventually, a dressing room explosion. It’s glamorous, it’s nihilistic, and it’s very much on brand.

The lyrics set the tone immediately: “Spring Summer ’26 / When the world is gonna end, no hope for any of it / Yeah, we’re walking on a runway that goes straight to hell / Nothing’s gonna save us, not music, fashion, or film.” Former Vogue Paris editor-in-chief Carine Roitfeld opens the video from the front row with a line that doubles as the whole thesis: “Fashion won’t save us. But let’s go on the runway and walk.”

https://youtube.com/watch?v=twLhSqabby0%3Ffeature%3Doembed

Charli also uses the second verse to take a swipe at the cancel-culture news cycle with a wink: “I was hacked, it got taken out of context, obviously / But I didn’t do it, even if I did, wrote a really good notes app apology.” It’s the kind of self-aware pop lyric that only works when the person singing it has actually lived through the machine — and she has.

The Guest List Is the Whole Point

If you know fashion, you’ll spend the entire video pausing to place faces. This isn’t the brat-era downtown crew of Julia Fox, Gabbriette, Rachel Sennott, and Alex Consani — though that “360” cast was its own perfect moment. “SS26” goes deeper into the industry itself: the people who actually make fashion happen, not just wear it.

Alongside Roitfeld, the video features supermodel Debra Shaw and Saint Laurent creative director Anthony Vaccarello — notable given that Charli was recently appointed a YSL Beauty ambassador. PR powerhouse Lucien Pagès is there. So is legendary runway sound producer Michel Gaubert (the man responsible for the sonic identity of Karl Lagerfeld’s Chanel shows) alongside his partner Ryan Aguilar.

Then there’s the deeper cut crowd: indie designers Benjamin Barron and Bror August Vestbø of August Barron (plus their PR David Siwicki), Abraham Ortuño Perez of Abra, Dan Sablon (creative director of Zadig & Voltaire, whose clothes Charli wore in the “Rock Music” video), model and director Farida Khelfa, designer Gian Gisiger, creative consultant Nhu Duong and her baby Deva, producer Patrik Sandberg, stylist and model Victoria Sekrier, Supreme’s Zac Ching, filmmaker Loïc Prigent, and La Watchparty’s Lyas. Consider it a partial directory of fashion’s most connected people — the kind you only know if you’re already in the room.

Singer Abra also makes a cameo, continuing her place in Charli’s extended creative universe.

The Buildup Was Very Charli

She teased the song earlier this week with a Substack post that read like either song lyrics or a fashion manifesto — turns out it was the former. “Think my politics could work as a press strategy,” she wrote, “And my heritage could give me quite the USP / Can’t hide the fact I’d rather take the easy road.” She also posted a flier on socials inviting fans to “attend the presentation of Charli xcx SS26 directed by Torso,” treating the drop like an actual show invitation.

Before the official video premiered, she hosted a 30-minute “Pre Show” on YouTube — trying on outfits, showing off pieces from designers she’s been wearing lately, including Lou de Bètoly, which she wore to the 2026 Berlin International Film Festival. It was the kind of behind-the-scenes warmth that makes her fanbase feel genuinely included in whatever she’s building.

“SS26” was produced by A.G. Cook and Finn Keane, who both co-wrote the song with Charli — the same team behind “Rock Music,” released two weeks ago as the first preview of her still-untitled seventh studio album.

Where the New Album Fits

“Rock Music” announced a pivot away from the dance-floor sound that defined Brat, with Charli singing, “I think the dance floor is dead / So now we’re making rock music” — a line that caught enough attention to draw a response from Madonna, who posted on Instagram this week: “If your Dance floor feels dead, maybe you’re playing the wrong music,” ahead of her own dance album Confessions II arriving July 3.

Charli has been characteristically unbothered about the discourse. “If you get me, you get me and if you don’t, you don’t. and thats ok,” she posted on X. She’s also clarified that “rock music” was never a genre declaration — just a vibe. “A video of me making a song called ‘rock music’ that is not actually rock music,” she captioned behind-the-scenes footage from the recording session, “which is funny because I never said I was making a rock album.”

Both “Rock Music” and “SS26” will appear on the upcoming album, which still has no title or release date. Given that she’s barely stopped since Brat — the world tour, the film The Moment, and earlier this year the Wuthering Heights soundtrack featuring collaborations with John Cale and Sky Ferreira — it’s safe to assume the pace isn’t slowing down.

“Nothing’s gonna save us,” she sings. And yet here she is, walking the runway anyway.

The post Charli xcx’s ‘SS26’ Video Is Fashion’s Coolest Guest List appeared first on Cream.

• Alix Earle wore a shimmering, fully see-through Hervé Léger micro minidress on a recent night out
• The nude-toned dress featured a plunging neckline, sparkling embellishments, and fringe-like accents
• She completed the look with strappy nude heels, a cream clutch, and soft glam makeup
• Earle also shared a separate couch photo dump in a champagne sequined mini, captioning it “checklist: glass of wine & a mini dress”
• The influencer has been on a fashion roll lately, also appearing in a lacy bra look for her GORGIE energy drink brand

Alix Earle is not here to play it safe. The influencer and Dancing with the Stars alum stepped out recently in one of her most daring looks yet — a Hervé Léger micro minidress that left virtually nothing to the imagination, and the internet has had exactly the reaction you’d expect.

The shimmering nude-toned number was fully see-through, covered in sparkling embellishments and delicate fringe-like accents that caught every bit of light. Add a plunging neckline and a barely-there silhouette, and Earle delivered the kind of nightlife look that stops a room cold. The ultra-short cut showed off her legs while the liquid-glam effect of the fabric kept the whole thing feeling elevated rather than just revealing.

She kept her accessories smart and intentional — strappy nude heels and a sleek cream clutch, nothing that competed with the dress for attention. Her long blonde hair fell in soft waves, and her makeup leaned into soft glam: flawless base, bronzed and blushed cheeks, and glossy tinted lips. The overall effect was polished and deliberately effortless, which is kind of Earle’s whole thing.

The Couch Moment That Also Went Viral

That wasn’t the only mini dress moment Earle served recently. She also posted an Instagram photo dump posing on a white couch in a champagne-hued micro mini heavily embellished with sequined fringe on the bodice, spaghetti straps, and another bold plunging neckline. Her caption? “checklist: glass of wine & a mini dress.” Very on brand.

Fans flooded the comments. “One of the best looks!” wrote one. “Gorgeous,” said another. Hard to argue with either.

Getting Ready With GORGIE

In between the going-out looks, Earle also appeared in a campaign image for GORGIE, the clean energy drink brand she became a strategic investor in back in December 2025. The photo, posted to GORGIE’s Instagram, shows Earle in a bathroom getting her makeup done — hair rollers in her blonde waves, a white lace bra and matching silk scalloped mini shorts on, a pink can of GORGIE sitting nearby. The getting-ready aesthetic felt very true to the content style that made her famous in the first place.

GORGIE was founded in 2022 by Michelle Cordeiro Grant, and Earle’s investment stake has made her one of the more prominent influencer-turned-brand-partner figures in the wellness space.

Between the Hervé Léger moment, the couch photo dump, and the GORGIE campaign, Earle is clearly in a full fashion era right now — and judging by the fan response, nobody’s complaining.

The post Alix Earle’s See-Through Hervé Léger Minidress Stuns appeared first on Cream.

• Paris Hilton debuted dark brunette hair with side-swept bangs at the Gucci Cruise 2027 show on May 16 in New York City
• The appearance marks her first runway walk in nearly three years, since the Mugler Spring/Summer 2024 show in October 2023
• Hilton wore a highlighter yellow bow-collar dress, Gucci’s signature green-red belt, knee-high black boots, and a fuzzy draped coat
• The new look was designed by Gucci creative director Demna Gvasalia, making his debut with the house
• Hilton celebrated the night on Instagram, writing “Brunette Paris” in one of several Stories she posted from the event

Paris Hilton has been synonymous with platinum blonde hair for so long that seeing her any other way feels like a glitch in the matrix — which is exactly what happened when she stepped onto the Gucci Cruise 2027 runway in New York City on May 16.

The 45-year-old Simple Life alum traded in her famous light locks for a deep, almost-black brunette hue, worn long and silky straight with a fresh set of side-swept bangs. Fans watching online did a full double-take. Even Hilton seemed to get a kick out of it — she reposted multiple videos from the show to her Instagram Stories, captioning one simply: “Brunette Paris.”

The rest of the look matched the drama of the hair change. Hilton walked in a highlighter yellow long-sleeved dress with a pussy bow collar and full pleated midi skirt, featuring a spin on Gucci’s iconic horse hardware print. She cinched it with the house’s instantly recognizable green and red belt, added knee-high black boots, draped a fuzzy coat over one shoulder, and carried a bright red box bag. It was a maximalist Gucci moment from head to toe — and the dark hair made it land differently than anything she’s worn in years.

Her First Runway in Almost Three Years

This was no casual front-row appearance. The Gucci show marked Hilton’s first runway walk since she closed out the Mugler Womenswear Spring/Summer 2024 show during Paris Fashion Week back in October 2023 — making the return feel genuinely significant. The timing was notable too: the Gucci Cruise 2027 collection was creative director Demna Gvasalia’s debut with the house, and Hilton was right there for it.

After the show, she made sure everyone knew how she felt about the night. “Hit the runway for @demna’s debut @gucci Cruise collection,” she wrote in one Instagram Story. In another: “Such a magical night. Thank you @demna @gucci.”

The transformation is a striking stylistic pivot from where Hilton was just weeks ago — she’d shown up to a Barbie pop-up event looking every inch the iconic doll, pink two-piece and platinum blonde in full effect. The brunette runway look feels like a different chapter entirely.

Life Beyond the Runway

Of course, Hilton’s world extends well past fashion moments right now. She and husband Carter Reum are parents to son Phoenix, 2, and daughter London, 1, both welcomed via surrogate. In a recent Us Weekly cover story, she was refreshingly open about how much motherhood has changed her.

“[My kids] are my everything,” she said. “I’ve always wanted to be a mom and now [I have] these two little angels who are [so] fun, and sweet and smart.” She also gushed about Reum, calling him “so sweet and fun and gentle and an amazing dad.”

Speaking to InStyle last October, she went even deeper: “Being a mom has been the most incredible thing in the world. When I look at Phoenix and London, I see the future, and I want that future to be full of love, empathy, and inclusion.”

And she’s not slowing down professionally either. Hilton told Us she has a third album on the way with a full tour planned, a skincare line called Parívie in the works, and continued expansion through her company 11:11 Media — including a move into her own hotels. “I’m going to continue leaving my sparkle everywhere that I go,” she told InStyle.

Just maybe in a different hair color than we expected.

The post Paris Hilton Goes Brunette at Gucci Cruise 2027 Show appeared first on Cream.

• Jessica Alba turned 45 on April 28 and celebrated with a birthday weekend bash with friends and boyfriend Danny Ramirez
• She wore multiple standout looks including a cherry-red satin corset with low-rise jeans and a black lace micro minidress
• Ramirez, 33, coordinated in an all-black ensemble and left a sweet comment on her Instagram post
• The celebration comes six weeks after her divorce from Cash Warren was finalized following 16 years of marriage
• Fans flooded the comments calling her “radiant” and saying she’s “aging backwards”

Jessica Alba just turned 45 — and she is not playing around. The actress rang in her birthday with a full weekend of celebrations, multiple outfit changes, and her boyfriend Danny Ramirez by her side, sharing the highlights in a carousel of photos posted to Instagram on May 7.

“The best weekend celebrating with the best people — so much love,” Alba captioned the post, and honestly, the photos say the same thing.

The standout look of the bunch? A vibrant cherry-red satin corset with clean vertical boning, a strapless straight-cut neckline, and a central hook-and-eye closure running the full length of the torso. She paired it with light-wash, distressed denim worn unbuttoned at the waist — ultra-low-rise, very Y2K — and finished with silver earrings, a beaded bracelet, and her long brunette hair in loose waves. Very Dark Angel meets 2025. One fan in the comments simply wrote, “Glowing.” Hard to argue.

The Birthday Night Looks

For the actual night-out festivities, Alba swapped the corset for not one but two minidresses. A video clip captured her arriving in a black mini with a plunging off-the-shoulder neckline and a subtle A-line skirt flare. Later, she stepped out in a nude-base minidress with a black lace overlay, spaghetti straps, and a slight sweetheart neckline — accessorized with a Chanel handbag and delicate layered necklaces.

Ramirez, 33, matched the moment in an all-black ensemble — a partially unbuttoned shirt showing off a gold chain, paired with matching trousers. Very coordinated, very couple-coded.

The rest of the carousel was pure birthday energy: Alba blowing out candles with a full grin, hugging friends, grabbing a more casual meal in an LA baseball cap, and even a face-mask selfie mid-glam prep. There was also a topless mirror selfie she shared from a spa visit earlier in the birthday week — because if you’re turning 45 looking like that, you document it.

A New Chapter at 45

The birthday celebration carries some extra weight this year. Alba turned 45 on April 28, about six weeks after her divorce from Cash Warren was officially finalized. The two separated in December 2024 after 16 years of marriage and filed for divorce in February 2025. They share three children together.

Since then, Alba has been leaning into life — family getaways with her kids, vacations with Ramirez, and now a birthday weekend that looked, by all accounts, exactly like what moving forward looks like.

Fans were obsessed. “How radiant! Happy birthday!!” one commenter wrote. “You are always gorgeous no matter what you wear,” added another. And Ramirez himself dropped a comment on the post — sweet and simple, the kind of small thing that fans notice.

Forty-five looks good on her. Really good.

The post Jessica Alba Turns 45 in Red Corsets and Lace Minidresses appeared first on Cream.

• The 2026 Met Gala raised a record $42 million under the theme “Fashion Is Art”
• Beyoncé brought Blue Ivy Carter to her very first Met Gala, one of the night’s most talked-about moments
• Rihanna and A$AP Rocky made a statement on the carpet, as did the Kardashian-Jenner family in full force
• Jeff Bezos and Lauren Sánchez served as honorary chairs, drawing significant criticism
• Taraji P. Henson publicly called out attendees ahead of the event, asking “WTF ARE WE DOING”

The first Monday in May delivered exactly what it always promises — spectacle, fashion, and more than a little drama. The 2026 Met Gala went off at the Metropolitan Museum of Art with a record-breaking $42 million raised and a theme, “Fashion Is Art,” that practically dared its guests to go big. Most of them did.

Guests arrived on a mossy-looking, trompe l’oeil cobblestone carpet framed by a backdrop that felt ripped straight from a Monet canvas — a deliberate, immersive nod to the evening’s artistic brief. It was theatrical, it was intentional, and it set the tone for a night where fashion wasn’t just clothing. It was statement-making.

The Moments Everyone Will Be Talking About

If there was one image from the night destined to live forever, it was Beyoncé walking those steps with Blue Ivy Carter — the teenager’s very first Met Gala. A mother-daughter debut at fashion’s biggest night doesn’t get more cinematic than that.

Rihanna and A$AP Rocky showed up and reminded everyone why they’re one of the most compelling couples in pop culture. Their coordinated approach to the carpet — always a study in controlled cool — felt like a masterclass in couples’ style without trying too hard.

Madonna turned the evening into a full girls’ night out, and the Kardashian-Jenner family came through as a unit: Kim Kardashian, Kylie Jenner, Kendall Jenner, and Kris Jenner together on that carpet was its own kind of fashion moment. Meanwhile, Nicole Kidman had a quieter but genuinely charming red-carpet beat alongside her daughter Sunday Rose — a reminder that the Met Gala’s best moments aren’t always the loudest ones.

The Controversy That Followed the Carpet

Not everyone was celebrating. Before the first limo pulled up, the 2026 Met Gala was already caught in a cultural crossfire — and Taraji P. Henson made sure no one could ignore it.

“I am so confused by some ppl that are going. I am just like WTF ARE WE DOING!?!?!?!” she wrote in the days leading up to the event. It was blunt, it was unfiltered, and it landed.

The source of the tension: Jeff Bezos and Lauren Sánchez stepped in as major backers and honorary chairs this year, a move that drew sharp criticism from those who saw the symbolism of extreme wealth underwriting an arts institution as deeply uncomfortable — particularly given the current economic climate. A viral video from writer and commentator Meredith Lynch helped amplify the conversation, with Lynch raising questions about the museum’s decision to accept Bezos-tied funding and flagging the political implications of certain protest symbols being worn on the carpet. The post drew engagement from figures including Liza Colón-Zayas and Bella Hadid.

Behind the scenes, the guest list reportedly became something of a quiet battleground, with some high-profile names quietly opting out while others showed up as planned. For many, attendance was never purely about endorsement — it’s about tradition, visibility, and the kind of cultural influence the Met Gala still commands like almost nothing else.

For Henson, the pushback wasn’t surprising. The Oscar-nominated actress has consistently used her platform to challenge institutions and refuse to separate culture from consequence — whether she’s talking about pay inequity in Hollywood or mental health in Black communities. Her Met Gala callout fits that pattern exactly.

The Met Gala delivered its spectacle. The looks were there, the moments were there, the viral images were there. But in 2026, every entrance carried a little more weight than usual — and Taraji P. Henson made sure of it.

The post 2026 Met Gala: Best Moments and the Backlash appeared first on Cream.