Mando & Grogu’s First 25 Minutes Win Over Star Wars Fans

Star Wars is back in theaters for the first time since 2019, and on May the 4th, a select group of fans got to see what that actually looks like. The Mandalorian and Grogu screened its first 25-plus minutes at IMAX theaters around the world Monday night, and the early word from those lucky enough to be in those seats is — cautiously, enthusiastically — good.

The fan events, held at 7 p.m. local time with poster giveaways included, were sold out in major markets like New York, Texas, and California almost immediately. Those who couldn’t score tickets could catch a three-and-a-half-minute special look on Disney+, but the people inside those IMAX houses had something much more substantial to chew on.

And they’ve been talking ever since.

What Fans Actually Saw

The footage covers the film’s opening sequence — a snow-bound action scene that’s been teased across trailers, press screenings, and CinemaCon — but now seen in full, at scale, the way director Jon Favreau intended it to be experienced. Din Djarin and Grogu mount an AT-RT and careen downhill past a barrage of AT-ATs controlled by an unnamed Imperial warlord. It’s chaotic, kinetic, and — in IMAX — enormous.

The 25 minutes also introduce the Hutts as major players and give audiences their first real look at Sigourney Weaver’s Colonel Ward, a New Republic leader and former Rebel Alliance pilot. Jeremy Allen White voices Rotta the Hutt — son of the late Jabba — and the mission structure is now clearer: Din and Grogu have been enlisted by the New Republic to rescue Rotta in exchange for information on a mystery target.

Also confirmed in the cast: Matthew Willig as Hogsbreth, and — in a genuinely unexpected piece of trivia — Martin Scorsese as an Ardennian shopkeeper named Hugo.

https://youtube.com/watch?v=1bNF7SHtzVI%3Fsi%3DhJ248sMAJXUIELlF

The Reactions: Mostly Thrilled, With One Big Caveat

The consensus from fans and influencers who attended? The opening is a blast — particularly in IMAX, where the aspect ratio expands to the full 1.43 and Ludwig Göransson’s score fills the room. Multiple attendees specifically called out the sound design and music as highlights.

“Cinematic, epic scale that demands to be seen on the big screen,” one attendee wrote on social media. “Ludwig Göransson’s music gave us goosebumps. Had smiles on our faces the entire time.”

Critic Zach Pope called it “very entertaining,” saying it “reminds me a lot of the 1st season + the OG Star Wars trilogy in terms of story structure & feel. Action is MASSIVE, the Hutts have a huge part, & I can’t wait to see the rest!”

Star Wars podcaster William Devereux was equally enthusiastic about the two leads. “Din Djarin is arguably the coolest he’s ever been, and Grogu is as adorable as always,” he wrote. “While the movie’s stakes aren’t the highest, a lot of what the trailers show is from early in the film. So hopefully we’ll get some fun surprises. I love this duo and can’t wait for May 22nd!”

One fan summed up the Pedro Pascal energy perfectly: “Mando is still basically Star Wars John Wick and isn’t aiming for the leg when taking out bad guys.”

But the most consistent note — the one that keeps appearing in reaction after reaction — is that the film, at least in its opening stretch, feels like very good television rather than a proper cinematic event. Film reviewer Tyler Disney put it plainly: “The opening scene deserves credit, it’s genuinely cool. The CGI still needs some polish, but if the film keeps that momentum, it could easily turn into a hit. I wouldn’t say I didn’t like it, but something felt off when the opening credits rolled — it didn’t quite feel like a Star Wars movie. It came across more like a streaming TV film than a big-screen experience.”

Another attendee echoed that ambivalence but landed in a warmer place: “So, in many ways, these 25 minutes feel like an exciting premiere of a big streaming TV series, one that provides some big setpieces and tees up an exciting season of adventures. The Mandalorian and Grogu is on the big screen — on IMAX, no less, the biggest screens. That gives everything an extra sense of importance, scale, and excitement. This might not be a return to a Star Wars movie from the old days, but the scale is certainly there.”

Given that the movie literally grew out of a TV show — Favreau has confirmed it was originally conceived as Season 4 of The Mandalorian before the 2023 writers’ strike pushed him to rethink it as a feature — that critique is probably unavoidable. What matters is whether the second and third acts deliver something the show never could.

What’s Being Hidden — and Why That’s Actually Exciting

Here’s the thing that has fans most intrigued: nearly everything Disney has shown publicly — trailers, TV spots, the clips that ran at CinemaCon and on Good Morning America, the footage screened Monday night — appears to come from the film’s first 25 minutes or so. That’s a very deliberate choice.

It’s also very on-brand for Favreau. When The Mandalorian first premiered on Disney+ in 2019, he convinced the studio to keep Baby Yoda entirely out of the marketing until after the first episode dropped. That gamble paid off in a way few pop culture moments have in recent memory. The theory circulating now is that he’s pulling the same move at feature scale — with the Mando-Grogu-Rotta the Hutt trio at the center of an adventure that nobody outside the production has actually seen.

“A large piece of the movie is being hidden,” one analysis noted. “And we think it centers on Mando and Grogu teaming up with Rotta the Hutt for an adventure — all three of them together — and the filmmakers simply don’t want any of that to get out.”

For spoiler-averse fans, that’s genuinely exciting. There are reportedly around 110 minutes of film that the public has seen essentially nothing of.

The Bigger Picture: Star Wars Needs This to Work

The enthusiasm from Monday’s screenings matters more than usual because the box office tracking for The Mandalorian and Grogu hasn’t been spectacular. Current projections have the film opening to around $80–85 million domestically over Memorial Day weekend — a decent number in isolation, but one that draws uncomfortable comparisons to Solo: A Star Wars Story, whose 2018 underperformance effectively shut down Lucasfilm’s standalone movie ambitions for years.

On the critical side, prediction markets currently have the film landing around a 73% on Rotten Tomatoes — solidly Fresh, just shy of the 75% needed for Certified Fresh. That would put it above Solo‘s 69% but well below Rogue One‘s 84%, which remains the gold standard for non-Skywalker Saga Star Wars films.

Nielsen data released this week offered some context for the franchise’s current cultural footprint: U.S. viewers consumed 33 billion minutes — 550 million hours — of Star Wars content in 2025. A New Hope led all titles, followed by The Phantom Menace and Rogue One. On the TV side, Andor topped the list, followed by Skeleton Crew and The Mandalorian. The appetite is clearly there. The question is whether audiences who’ve been burned by recent Star Wars entries will show up opening weekend.

Favreau, for his part, has been direct about what he’s trying to do. “Even though in our hearts we are Star Wars fans, we make it for Star Wars fans, and we know that there’s a certain set of expectations around what Star Wars should be,” he told the Associated Press. “There is the responsibility to invite a whole new generation of people into Star Wars. That means that if a Star Wars fan brings somebody who’s not, they’ve got to have as good of a time as the fans do. I want to make the next generation feel the way about Star Wars that I did when I saw it for the first time.”

Sigourney Weaver, who saw the original Star Wars just before her own career took off, put it in personal terms during a recent interview. “I was looking at three lucky actors who’d made it to the big time and were in this glorious thing,” she recalled. “I hope I get that lucky someday to be in a movie that has people crowded into a theater all cheering for it.”

Based on Monday night’s reactions, at least, there’s reason to think she might get her wish. One fan summed up the feeling as simply as anyone: “I got some of the old Star Wars feelings back. For me, it’s nice to be back in a galaxy far, far away with characters I enjoy.”

The Mandalorian and Grogu opens in theaters — and IMAX — on May 22.