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‘Obsession’ Is a Horror Movie About Forced Love — and Critics Say Inde Navarrette Is a Revelation

Curry Barker’s horror film Obsession — starring Inde Navarrette and Michael Johnston — has become a box office success and critical darling by turning a supernatural wish-fulfillment premise into a deeply uncomfortable meditation on consent and control.

Obsession Horror Curry Barker Inde Navarrette Review
Image: Collider
  • Obsession, directed by Curry Barker and rated R, follows Bear (Michael Johnston), a shy young man who uses a supernatural novelty item called the One Wish Willow to make his longtime crush Nikki (Inde Navarrette) fall in love with him — with increasingly disturbing results
  • Critics have praised the film for grounding its horror in emotional realism, with Collider calling it better than most recent dating-horror thrillers at weaponizing “blurred boundaries, emotional entitlement” — Barker executes the story “with restraint” as the romance curdles into something “uglier, sadder, and genuinely disturbing”
  • Inde Navarrette, previously known for a supporting role in The CW’s Superman & Lois, has been singled out for what one reviewer called a “tour de force performance” — and Michael Johnston’s work as Bear has been called a potential breakout moment
  • The film has become a box office success; the director had to cut its most brutal scene to avoid an NC-17 rating, landing the film at R

Curry Barker’s Obsession understands something that most horror films about bad romantic fixations don’t: the truly terrifying part comes before the violence does. The premise is deceptively simple. Bear (Michael Johnston) — a shy, infatuated young man working at a small music store alongside his friend group — uses a supernatural novelty item called the One Wish Willow to make his longtime crush Nikki (Inde Navarrette) fall in love with him. What follows, per Collider, is “something uglier, sadder, and genuinely disturbing” as Nikki’s affection spirals into emotional instability and dangerous obsession.

Collider’s review frames the film as the rare modern dating-horror entry that “weaponizes” fears around emotional entitlement and the moment intimacy becomes control — and does it better than most. Barker grounds the story in emotional realism first: the film opens with the familiar rhythms of a rom-com, making Bear’s awkward affection feel almost endearing before the turn. “Forced love is horrifying before bloodshed ever begins” is how Collider summarizes Barker’s thesis — and critics appear to agree he’s made that case effectively.

The Performances

Inde Navarrette carries a psychologically demanding role. Her Nikki goes from relatable crush to someone who bursts into violent episodes, lies to manufacture sympathy, and refuses to leave Bear’s side at social gatherings — her laugh, in one scene described by reviewers, is “too forced and too unnatural” in exactly the right way. Falls Church News-Press called it a “tour de force performance” and noted that Navarrette, of Mexican and Australian descent, handles the complexity “with dazzling believability.”

Michael Johnston’s Bear works as the moral center of a story in which neither the wish-granter nor the wish-giver comes out clean. The role has been described as a potential breakout for Johnston, who has spent years in television and voice work. Cooper Tomlinson co-stars as Ian, with Megan Lawless as Sarah, per Falls Church News-Press. The film is rated R — the director cut its most brutal scene to avoid an NC-17. That the film lands as hard as it does while staying within those parameters is part of what critics are responding to, per Tooele Online.

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